Canon USA ( @canonusa ) Instagram Profile

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Canon USA

Welcome to the official Instagram account of Canon USA. Where imagination shapes innovation. Want a chance to see your photo on our Insta? Click here:

  • 3.4k posts
  • 2.7m followers
  • 165 following

Canon USA Profile Information

  • "I love photographing flowers around the side road whenever I am out and about! Nature has the most calming effect on me!" #MyCanonStory

Photo Credit: @mbmphotographs
Camera: #Canon EOS 5D Mark IV
Lens: EF 35mm f/1.4L II USM
Aperture: f/1.4
ISO: 125
Shutter Speed: 1/250 sec
Focal Length: 35mm
  • "I love photographing flowers around the side road whenever I am out and about! Nature has the most calming effect on me!" #MyCanonStory

    Photo Credit: @mbmphotographs
    Camera: #Canon EOS 5D Mark IV
    Lens: EF 35mm f/1.4L II USM
    Aperture: f/1.4
    ISO: 125
    Shutter Speed: 1/250 sec
    Focal Length: 35mm
  •  21,784  99  21 hours ago
  • Seas the day with the #EOSM50 🌊☀️🏖
  • Seas the day with the #EOSM50 🌊☀️🏖
  •  11,681  56  14 June, 2019
  • This week's photo theme is #Ocean. Share your refreshing photos with us and make sure to tag #CanonFanPhoto. Let us know what gear you used for a chance to see your image featured on our page.

Camera: #Canon EOS 7D
Lens: EF 15mm f/2.8 Fisheye
Aperture: f/6.3
ISO: 640
Shutter Speed: 1/800 sec
Focal Length: 15mm
  • This week's photo theme is #Ocean. Share your refreshing photos with us and make sure to tag #CanonFanPhoto. Let us know what gear you used for a chance to see your image featured on our page.

    Camera: #Canon EOS 7D
    Lens: EF 15mm f/2.8 Fisheye
    Aperture: f/6.3
    ISO: 640
    Shutter Speed: 1/800 sec
    Focal Length: 15mm
  •  41,826  198  14 June, 2019
  • "Nothing compares to watching the NYC lights come on from a higher vantage point." #MyCanonStory

Photo Credit: @bustyroams
Camera: #Canon EOS 5D Mark IV
Lens: EF 16-35mm f/2.8L III USM
Aperture: f/2.8
ISO: 2500
Shutter Speed: 1/200 sec
Focal Length: 35mm
  • "Nothing compares to watching the NYC lights come on from a higher vantage point." #MyCanonStory

    Photo Credit: @bustyroams
    Camera: #Canon EOS 5D Mark IV
    Lens: EF 16-35mm f/2.8L III USM
    Aperture: f/2.8
    ISO: 2500
    Shutter Speed: 1/200 sec
    Focal Length: 35mm
  •  22,069  100  13 June, 2019
  • A look inside #CanonExplorerOfLight @photospice's #camerabag: "As a photojournalist, my assignments range from covering protests, natural disasters, working in conflict zones, crime scenes, press conferences, fires, portraits, political campaigns, to every day feature stories. The assignment I’m covering will dictate what gear I pack.

I’m a candyholic, so no matter what I’m covering I cram a pack of sour patch candies into the side pocket of my camera bag… they are so good!

If I’m covering spot news, I use my 100-400mm lens. In LA, where I’m based, the LAPD seal off a crime scene –sometimes blocks away from where the violence occurred- so I need a powerful zoom to make the picture. It’s a light lens and easy to carry around. I also like to work with it for sports feature stories. It’s what we call a ‘street sweeper’ because of its varied focal lengths.

If I’m working on stories where I want to convey an intimate point of you I use prime lenses - a 24, 35 or 50mm. I photograph full frame so when I’m using a 24mm, or 35mm, I’m close to the subject which captures emotions authentically. I also like the aesthetic of a wide-open f-stop on prime lens.

I like to use one camera when I’m working - it keeps the weight down and helps me navigate a story a little more incognito. A lot of my work is editorial and I’m often photographing people in distress so I approach scenes delicately… I try not to be an intimidating force.

My 5D Mark IV’s are my assignment go-to cameras. They are extraordinary in low light conditions and since I rarely use artificial light I need a camera that offers crisp files in poor lighting situations. When I’m using it for video, my go to lens is the 24-105mm. It has such a lovely versatility and it allows me to get most of the shots I need. My 85mm f/1.4L IS USM lens is my portrait lens – it’s sharp and doesn’t distort the subjects’ features.

I always carry a portable hard drive and extra flashcards that I keep in my trusted Westie pink purse. In the trunk of my car I have protective goggles and a helmet in case I’m covering a violent protest. I also pack a notebook, fountain pen, flashlight, and passport - my travel docs to cover the world”
  • A look inside #CanonExplorerOfLight @photospice's #camerabag: "As a photojournalist, my assignments range from covering protests, natural disasters, working in conflict zones, crime scenes, press conferences, fires, portraits, political campaigns, to every day feature stories. The assignment I’m covering will dictate what gear I pack.

    I’m a candyholic, so no matter what I’m covering I cram a pack of sour patch candies into the side pocket of my camera bag… they are so good!

    If I’m covering spot news, I use my 100-400mm lens. In LA, where I’m based, the LAPD seal off a crime scene –sometimes blocks away from where the violence occurred- so I need a powerful zoom to make the picture. It’s a light lens and easy to carry around. I also like to work with it for sports feature stories. It’s what we call a ‘street sweeper’ because of its varied focal lengths.

    If I’m working on stories where I want to convey an intimate point of you I use prime lenses - a 24, 35 or 50mm. I photograph full frame so when I’m using a 24mm, or 35mm, I’m close to the subject which captures emotions authentically. I also like the aesthetic of a wide-open f-stop on prime lens.

    I like to use one camera when I’m working - it keeps the weight down and helps me navigate a story a little more incognito. A lot of my work is editorial and I’m often photographing people in distress so I approach scenes delicately… I try not to be an intimidating force.

    My 5D Mark IV’s are my assignment go-to cameras. They are extraordinary in low light conditions and since I rarely use artificial light I need a camera that offers crisp files in poor lighting situations. When I’m using it for video, my go to lens is the 24-105mm. It has such a lovely versatility and it allows me to get most of the shots I need. My 85mm f/1.4L IS USM lens is my portrait lens – it’s sharp and doesn’t distort the subjects’ features.

    I always carry a portable hard drive and extra flashcards that I keep in my trusted Westie pink purse. In the trunk of my car I have protective goggles and a helmet in case I’m covering a violent protest. I also pack a notebook, fountain pen, flashlight, and passport - my travel docs to cover the world”
  •  25,963  218  13 June, 2019
  • "I love everything about street photography. You can find so many different perspectives and ideas using your surroundings and let your creativity run wild. This is my Urban Falls." #MyCanonStory

Photo Credit: @philafocus
Camera: #Canon EOS Rebel T6
Lens: EF 50mm f/1.8 STM
Aperture: f/2.5
ISO: 1600
Shutter Speed: 1/3200 sec
Focal Length: 50mm
  • "I love everything about street photography. You can find so many different perspectives and ideas using your surroundings and let your creativity run wild. This is my Urban Falls." #MyCanonStory

    Photo Credit: @philafocus
    Camera: #Canon EOS Rebel T6
    Lens: EF 50mm f/1.8 STM
    Aperture: f/2.5
    ISO: 1600
    Shutter Speed: 1/3200 sec
    Focal Length: 50mm
  •  43,134  210  12 June, 2019
  • #BehindTheShot with #CanonExplorerOfLight @dorn.bruce: "When setting out to create a cinematic scene, I always start with a little PIE 🤪

Preparation. Imagination. Execution.

Prepare: Scout for a good location, gather interesting props, and assemble a great team.
Ideate: Use imagination and the elements of Step 1 to inspire an intriguing concept.
Execute: With a solid concept in mind, create an interesting character.
In this instance the availability of a beautiful long-range biplane inspired thoughts of travel into the unknown. Those thoughts, in turn, inspired me to pay homage to the bold and famous female flyers Beryl Markham and Amelia Earhart. Sharing this concept with my model and cosmetics team led to the development of a strong and striking-looking adventuress.

Solid prep, an imaginative scenario, and creative execution makes for a great result. And, seriously - who doesn’t like PIE?!? Follow my feed for more tasty photographic recipes @dorn.bruce"

Model: @4jessicasimpson 
Make-Up: @makeupbyheatherwilson 
Hair: @andybiggshair 
Camera: Canon EOS R
Lens: RF 24-105mm
Aperture: f/4
ISO: 200
Shutter Speed: 1/2500 sec
Focal Length: 24mm

#canonusa #canonexploreroflight #teamcanon #teamdorn #betherevolution #mentoring #staggerwing #environmentalportraiture #model #beauty #adventuregirls
  • #BehindTheShot with #CanonExplorerOfLight @dorn.bruce: "When setting out to create a cinematic scene, I always start with a little PIE 🤪

    Preparation. Imagination. Execution.

    Prepare: Scout for a good location, gather interesting props, and assemble a great team.
    Ideate: Use imagination and the elements of Step 1 to inspire an intriguing concept.
    Execute: With a solid concept in mind, create an interesting character.
    In this instance the availability of a beautiful long-range biplane inspired thoughts of travel into the unknown. Those thoughts, in turn, inspired me to pay homage to the bold and famous female flyers Beryl Markham and Amelia Earhart. Sharing this concept with my model and cosmetics team led to the development of a strong and striking-looking adventuress.

    Solid prep, an imaginative scenario, and creative execution makes for a great result. And, seriously - who doesn’t like PIE?!? Follow my feed for more tasty photographic recipes @dorn.bruce"

    Model: @4jessicasimpson
    Make-Up: @makeupbyheatherwilson
    Hair: @andybiggshair
    Camera: Canon EOS R
    Lens: RF 24-105mm
    Aperture: f/4
    ISO: 200
    Shutter Speed: 1/2500 sec
    Focal Length: 24mm

    #canonusa #canonexploreroflight #teamcanon #teamdorn #betherevolution #mentoring #staggerwing #environmentalportraiture #model #beauty #adventuregirls
  •  11,833  54  12 June, 2019
  • "The weather was supposed to be grey and rainy but when we entered the valley we were greeted by one of the most beautiful sunrises. That combined with the low-lying fog made for the most unforgettable Yosemite morning." #MyCanonStory

Photo Credit: @iandea14
Camera: #Canon EOS 5D Mark II
Lens: EF 24-70mm f/2.8L II USM
Aperture: f/4.5
ISO: 500
Shutter Speed: 1/200 sec
Focal Length: 24mm
  • "The weather was supposed to be grey and rainy but when we entered the valley we were greeted by one of the most beautiful sunrises. That combined with the low-lying fog made for the most unforgettable Yosemite morning." #MyCanonStory

    Photo Credit: @iandea14
    Camera: #Canon EOS 5D Mark II
    Lens: EF 24-70mm f/2.8L II USM
    Aperture: f/4.5
    ISO: 500
    Shutter Speed: 1/200 sec
    Focal Length: 24mm
  •  24,238  102  12 June, 2019
  • "Standing in the deepest lake in the US." #MyCanonStory

Photo Credit: @kev.legend
Camera: #Canon EOS 7D
Lens: EF 14mm f/2.8L USM
Aperture: f/2.8
ISO: 100
Shutter Speed: 1/500 sec
Focal Length: 14mm
  • "Standing in the deepest lake in the US." #MyCanonStory

    Photo Credit: @kev.legend
    Camera: #Canon EOS 7D
    Lens: EF 14mm f/2.8L USM
    Aperture: f/2.8
    ISO: 100
    Shutter Speed: 1/500 sec
    Focal Length: 14mm
  •  29,609  107  11 June, 2019
  • "My buddies and I had been attending a photo meet at the Palace of Fine Arts, and we have gone to this Golden Gate lookout since sunset. We parked the car, pulled our gear out, and sprinted to the spot but unfortunately, we missed out on the color. As disappointed as we were, we stuck around for the blue hour and some night shooting and I couldn't be more excited with the blue hour shot that I got here." #MyCanonStory

Photo Credit: @sadsigns_
Camera: #Canon EOS 5D Mark III
Lens: EF 16-35mm f/2.8L II USM
Aperture: f/22
ISO: 100
Shutter Speed: 6 sec
Focal Length: 35mm
  • "My buddies and I had been attending a photo meet at the Palace of Fine Arts, and we have gone to this Golden Gate lookout since sunset. We parked the car, pulled our gear out, and sprinted to the spot but unfortunately, we missed out on the color. As disappointed as we were, we stuck around for the blue hour and some night shooting and I couldn't be more excited with the blue hour shot that I got here." #MyCanonStory

    Photo Credit: @sadsigns_
    Camera: #Canon EOS 5D Mark III
    Lens: EF 16-35mm f/2.8L II USM
    Aperture: f/22
    ISO: 100
    Shutter Speed: 6 sec
    Focal Length: 35mm
  •  28,516  175  11 June, 2019
  • "As I was heading back to the car I realized the clouds were glowing up. I decided to snap another shot of Grand Falls and it turned out to be my favorite of the day." #MyCanonStory

Photo Credit: @courtneylwilson
Camera: #Canon EOS 5D Mark III
Lens: EF 16-35mm f/2.8L III USM
Aperture: f/4.5
ISO: 200
Shutter Speed: 1/60 sec
Focal Length: 16mm
  • "As I was heading back to the car I realized the clouds were glowing up. I decided to snap another shot of Grand Falls and it turned out to be my favorite of the day." #MyCanonStory

    Photo Credit: @courtneylwilson
    Camera: #Canon EOS 5D Mark III
    Lens: EF 16-35mm f/2.8L III USM
    Aperture: f/4.5
    ISO: 200
    Shutter Speed: 1/60 sec
    Focal Length: 16mm
  •  24,956  100  10 June, 2019