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𝙰𝚞𝚐𝚞𝚜𝚝 𝚂𝚊𝚗𝚍𝚎𝚛.
𝙿𝚎𝚘𝚙𝚕𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚃𝚠𝚎𝚗𝚝𝚒𝚎𝚝𝚑 𝙲𝚎𝚗𝚝𝚞𝚛𝚢
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When German photographer August Sander conceived of one of the most ambitious projects in the history of photography, Citizens (later ‘people’) of the Twentieth Century, undertaken from the 1920s until his death some 40 years later, his goal was to document the German people in a way that rejected the era’s social divisions. Starting in the mid-1920s and through the rise of Nazism, he became keenly aware that the notion of cataloging a people sometimes took on different and sometimes very challenging meanings.
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He documented people from all classes and backgrounds in a similar manner, including those whom the Nazis did not consider Aryan. In 1929, he published “Face of Our Time,” a preview of his intended larger project, but the Nazi regime later confiscated the remaining books (eventually destroying the plates) and barred him from publishing in the future. 
Although the epic project remained incomplete at the time of his death (and many works were destroyed in a later fire), his reputation was established by the shear quality of the images. His straight-forward, essentially anthropological approach was a direct influence on later photographers like Bernd and Hilda Becher.
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Image 1: Helen Abelen /the painter’s wife c1926
Image 2: Painter Heinrich Hoerle. 1928.
Image:3: Painter Gottfried Brockmann. 1924
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#augustsander #photography #portrait #blackandwhitephotography #modernism #modernist #germany #identity #painter #artists #portraitphotography#anthropology #conceptualphotography #conceptualart #conceptual #humanist #humanism #newobjectivity #objectivity #citizens #europeans #realism#1920sfashion #fashion #20sstyle #1920shair #1920shairstyle #modernartists #typologies

  • 𝙰𝚞𝚐𝚞𝚜𝚝 𝚂𝚊𝚗𝚍𝚎𝚛.
    𝙿𝚎𝚘𝚙𝚕𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚃𝚠𝚎𝚗𝚝𝚒𝚎𝚝𝚑 𝙲𝚎𝚗𝚝𝚞𝚛𝚢
    .

    When German photographer August Sander conceived of one of the most ambitious projects in the history of photography, Citizens (later ‘people’) of the Twentieth Century, undertaken from the 1920s until his death some 40 years later, his goal was to document the German people in a way that rejected the era’s social divisions. Starting in the mid-1920s and through the rise of Nazism, he became keenly aware that the notion of cataloging a people sometimes took on different and sometimes very challenging meanings.
    .
    He documented people from all classes and backgrounds in a similar manner, including those whom the Nazis did not consider Aryan. In 1929, he published “Face of Our Time,” a preview of his intended larger project, but the Nazi regime later confiscated the remaining books (eventually destroying the plates) and barred him from publishing in the future.
    Although the epic project remained incomplete at the time of his death (and many works were destroyed in a later fire), his reputation was established by the shear quality of the images. His straight-forward, essentially anthropological approach was a direct influence on later photographers like Bernd and Hilda Becher.
    .
    Image 1: Helen Abelen /the painter’s wife c1926
    Image 2: Painter Heinrich Hoerle. 1928.
    Image:3: Painter Gottfried Brockmann. 1924
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    #augustsander #photography #portrait #blackandwhitephotography #modernism #modernist #germany #identity #painter #artists #portraitphotography #anthropology #conceptualphotography #conceptualart #conceptual #humanist #humanism #newobjectivity #objectivity #citizens #europeans #realism #1920sfashion #fashion #20sstyle #1920shair #1920shairstyle #modernartists #typologies
  •  62  3  15 April, 2019